Description

This program, introduced by the overture to Così fan Tutte, illustrates a turning point in musical history.<div> Should we hear the end of an era in Mozart's Sinfonia Concertante, he who, as a young man, jumped on the laps of Louis XV's daughters or, even younger, kissed Marie Antoinette while promising to marry her later? Do we see in Beethoven's art the work of a free artist who, from his first two symphonies, foreshadows the musical revolutions of those that followed?</div><div> It is also possible to hear a Beethoven who respectfully transmits the legacy of Haydn... and a visionary Mozart.</div><div><br></div><div> Program :</div><div> Wolfgang Amadeus Mozart • Overture to Cosi fan Tutte KV 588, Sinfonia Concertante for Violin and Viola KV 364</div><div> Ludwig van Beethoven • Symphony No. 2 in D major Op. 36</div><div> Performers:</div><div><br></div><div> Fanny Clamagirand • violin</div><div> Violaine Despeyroux • viola</div><div> Royal Palace Orchestra</div><div> Jean-Philippe Sarcos • Director</div><div><br></div>