Description

After 2 solo theatrical reveries, this 3rd opus by and with Pierre Meunier is invented around the gear and our relationship to the machine.<div> It is the observation at the center of the stage of a bell tower clock, with its gilded bronze gears and stone weights, which triggers this time a serious and light, contradictory and unexpected questioning, punctuated by the ticking of the monumental mechanism.</div><div> As his thought process unfolds, Pierre Meunier engages in experiments in applied mechanics, attempting to gain a clearer understanding of our hyperbolic hunger for speed, precision, or predictability.</div><div> The imagination awakened by the present moment of this delightful confrontation begins in turn to ring with poetic, political, philosophical, and even post-mechanical resonances.</div>