Description

Lou Cantor and Dafne Bianchi offer us two dance forms.<div> Stabat Mater, the solo, was born at the crossroads of a Baroque heritage long kept at arm's length and a burning desire to give voice—and body—to the stories of contemporary women. In this creation, Lou Cantor explores an intimate and political gesture: crying. Crying as a ritual act, as choreographic material, as a transformative power. Crying not to remain silent, but to demand; crying to liberate, to laugh, to scream, to remember, and to exist fully.</div><div><br></div><div> In the gentle whisper of a breath, La Breva comes to life: a dance where the past murmurs to the present, carried by two sisters weaving the stories of the women within them. On stage, their movements recall the gestures of those who have traversed time, their hands speak, each glance evokes the gentle strength of invisible bonds, the legacy of a past that guides them. They dance to celebrate their homeland, where love and memory intertwine, where the wind caresses Lake Como. Then, absences become presences, and familial love resonates like an immortal echo.</div>