Description

Visit to the museum & concert "Chopin, the Nohant years (1839-1846)"<p data-start="83" data-end="409"> Posthumous study in F minor<br data-start="118" data-end="121"> Prelude op. 45 in C sharp minor<br data-start="158" data-end="161"> Ballad No. 4, Op. 52 in F minor<br data-start="196" data-end="199"> Polonaise, Op. 53 "Heroic" in A-flat major<br data-start="251" data-end="254"> Lullaby, Op. 57 in D-flat major<br data-start="292" data-end="295"> Polonaise-Fantasy, Op. 61 in A-flat major<br data-start="344" data-end="347"> Nocturnes op. 62 no. 1 and no. 2<br data-start="378" data-end="381"> Waltzes Op. 64 Nos. 1 and 2</p><p data-start="416" data-end="997"> "Poetry, elegance, style, control, innate musical sense" are the adjectives most often used by music critics to describe the playing of pianist <strong data-start="583" data-end="597">Yves Henry</strong> .<br data-start="598" data-end="601"> <strong data-start="601" data-end="619">Aldo Ciccolini</strong> , whose disciple he was, summed up all this in one sentence:<br data-start="678" data-end="681"> "From the first time I heard the very young Yves Henry, I was struck by the happy convergence in his playing of two qualities that reveal the true pianist: an extraordinary instrumental ease combined with a remarkable availability in the presence of the multiple demands of musical discourse."</p>